Which side is higher A or B. I can never figure that out...

Moderators: JAMiAM, ralphtricky

I always thought that the higher hexes were those next to the sea. But I could be wrong. I really have no proof either way.ORIGINAL: bjmorgan
Well, which would be higher? The hex next to the sea, or the hex inland?
ORIGINAL: larryfulkerson
I always thought that the higher hexes were those next to the sea. But I could be wrong. I really have no proof either way.ORIGINAL: bjmorgan
Well, which would be higher? The hex next to the sea, or the hex inland?

ORIGINAL: Panama
[:D][:D][:D][:D][:D]
Uhm...I'm old so I have an excuse. What about everyone else?
What am I talking about?
Those are not escarpment graphics. Those are fortification graphics.![]()




ORIGINAL: marjur
However, this snapshot (taken from Festung Kolberg 1945) seems to contradict the above example.
Let's look at the escarpments near the St. George Church. If the above example is true then the hex surrounded by the escarpments should be lower than the surrounding hexes, and yet there is a mountain peak inside it.
Similarly, if the small pointy lines indicate a lower position, then the units defending behind the escarpments (anti-tank ditch) are actually lower than the attacking units from the south...
Gazownia would also be lower, but I think it's supposed to be some kind of fort...
![]()

ORIGINAL: marjur
This snapshot is taken from The Great War 1914-1918 scenario.
It seems that the designer thinks that (A) from my initial example is actually lower because it's hard to imagine that the river is flowing through a terrain that is higher than the surrounding hexes. I'd say it's rather a kind of valley...
Anyway, this would suggest that the the small pointy lines indicate a lower position.
![]()
ORIGINAL: Curtis Lemay
Clearly, the results show that only if the bombarder is in a hex with a major escarpment was the bonus received. So, the hexside with the escarpment is the "high" side.

ORIGINAL: Curtis Lemay
. . . So, the hexside with the escarpment is the "high" side . . .
