戦争クロニクル帝国日本 – Sensō kuronikuru teikoku Nihon

Post descriptions of your brilliant victories and unfortunate defeats here.
Bigfish2012
Posts: 166
Joined: Sun Jul 28, 2024 5:37 pm

Re: 戦争クロニクル帝国日本 – Sensō kuronikuru teikoku Nihon

Post by Bigfish2012 »

#009 Second East Asian Colonial War of 1921/1922




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From the War Chronicles of Imperial Japan:





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>> Memorandum of Kaigun-chūjō Tochinai Sojirō on the night battle in the Gulf of Tonkin, December 31, 1921 <<




Distinguished officers and members of the 大本営 (Daihon'ei),


The first day of the new year 1922 has brought us an unexpected success! Of course, we have to say again that the behaviour of our opponent was once again unexpected. Nor could our reconnaissance be expanded to the necessary extent, but with the divine protection of our nation, the navy under the leadership of Kaigun-shōshō Hisamori Taguchi succeeded in inflicting a severe defeat on the Grand Nation in a dramatic battle.


Our losses are minimal compared to those of the enemy, but for the future construction of ships, we need to closely study the sinking of the light cruiser Tatsuta. A single torpedo had reverent consequences here. We have to learn from that.


Signals are coming from the front that the loss of this supply convoy will possibly bring the decision at Tonkin. Thus, we can welcome the New Year benevolently and courageously move forward in this conflict to the honor of the Emperor.





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Thus, the officers of the 軍令部 (Gunreibu) of the Imperial Japanese Navy, the 参謀本部 (Sambō hombu) of the Imperial Japanese Army, and the 海軍省 (Kaigun-shō) may take good note of the prepared and illustrated course of the battle for the night battle in the Gulf of Tonkin on December 31, 1921 of that year.




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Long live the Rengō Kantai, long live the Imperial Japanese Navy, long live the Emperor!





Kaigun-chūjō Tochinai Sojirō, January 1, 1922





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Extra sheet of the Tōkyō Shinbun from Sunday, January 1, 1922



>> Imperial Navy sinks large convoy – Tonkin garrison surrenders! <<


The new year 1922 begins with an outstanding success for the Imperial Japanese Navy! On the night of the turn of the year, Kaigun-shōshō Hisamori Taguchi managed to sink a large enemy convoy that was supposed to bring urgently needed supplies to Tonkin. Surely the perfidious enemy had expected to remain unmolested that night. But our navy cannot be tricked in such a clumsy way. Immediately after the French disaster became known, the garrison of Tonkin laid down its arms and surrendered to the Japanese landing troops.


This is the second great success within a few weeks and an indication of an outstanding year 1922!




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Editorial office of the Tōkyō Shinbun – Monday, January 9, 1922


Osaki Satoshi surveyed the maps of the southern China Sea. Japan had achieved impressive successes, that had to be acknowledged. But he also realized how small the colonial bases of the British and French had been. Both nations had not placed much emphasis on larger ports in which large battleships could also be overtaken. He began to understand why opponents were taught one defeat after another. Strong and rested Japanese naval forces were mostly opposed by smaller enemy squadrons that had travelled for months.




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Editorial Board of the Tōkyō Shinbun – Thursday, February 02, 1922


In the Élysée Palace, too, someone had probably looked at the cards in the last few weeks! The printing presses were running at full speed, the extra sheet of the Tōkyō Shinbun could not be reprinted fast enough as it was selling.



PEACE!



That was the simple title! Even before the turn of the year, secret negotiations between France and Japan were underway in Berlin. At the turn of the year, these were still not very successful, but at that time the delegations did not know anything about the Tonkin New Year's disaster.


A few weeks later, things changed and France gave up most of its Asian possessions. It was simply not able to defend it at such a distance, and in Europe the will to pay a death toll for the other end of the world melted away.


But Osaki Satoshi also knew what was in store for him now. Without war, there was no need for a large editorial office and he had to come up with something to maintain his position and somehow supply and employ his highly motivated editors.


The war with France brought considerable innovations in naval warfare and this would certainly be reflected in the development of the fleet. If he were to lose his network now, there was a risk of being pushed onto the siding. He himself was still not well liked in the ministry and was cut off from the information there.



Osaki Satoshi needed his editors and their informants now more than ever!





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#158 RTW2-JAP#
Bigfish2012
Posts: 166
Joined: Sun Jul 28, 2024 5:37 pm

Re: 戦争クロニクル帝国日本 – Sensō kuronikuru teikoku Nihon

Post by Bigfish2012 »

#010 Quo vadis Rengō Kantai?




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From the War Chronicles of Imperial Japan:





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>> Memorandum of the Kaigun-chūjō Tochinai Sojirō on the Second East Asian Colonial War of 1921/1922 <<




Distinguished officers and members of the 大本営 (Daihon'ei),


the war is over!


Our successes are once again unbelievable and the Imperial Japanese Navy is now one of the serious maritime powers in the world! From now on, the European imperialists will think twice about starting a war with Japan.



Asia belongs to us – Asia belongs to Japan – Asia belongs to the Japanese people – Asia belongs to the Emperor!



Our successes at sea but also on land were so clear that it does not take many words to appreciate the achievements of our sailors and soldiers. It has been shown what we are capable of when the army and navy work together and not against each other, as was all too often the case in the past.


Therefore, as the most revealing event of this war, I would like to highlight only the deployment of our new aircraft carriers. As ambivalent as the experiences with it are, the last use of the carrier aircraft has shown the potential of this new weapon.


It is therefore with a heavy heart that I recommend that the Navy question the construction of further battleships and end their continuation in favor of aircraft carriers. It has been shown that the few Japanese battleships have not played a major role. On the contrary, if our battleships got into a reasonable combat situation at all, they were no match even for older enemy units. The few but difficult hits have shown this. The gentlemen officers of the honorable 第一艦隊 (Dai-ichi Kantai - IJN 1st Fleet) may forgive me, but Japan cannot have both. Either a battle fleet or aircraft carriers. I predict that the future belongs to aircraft carriers, the statements of our pilots are clear. If the designers take the statements of our pilots seriously, our modern Japan can take the lead in a weapon system at sea for the first time ever. We will never succeed in doing this with battleships in the future!


Finally, you will get an overview of our new possessions, which will give us an excellent starting point to chase the enemies of our nation out of our waters for all time and keep them out of them.




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Long live the Rengō Kantai, long live the Imperial Japanese Navy, long live the Emperor!





Kaigun-chūjō Tochinai Sojirō, February 4, 1922




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Extra sheet of the Tōkyō Shinbun from Monday, February 6, 1922


>> Assassination attempt on Kaigun-chūjō Tochinai Sojirō -
Dispute within the Imperial Japanese Navy escalates! <<



This morning there was an assassination attempt on the honorable Kaigun-chūjō Tochinai Sojirō when he took a walk not far from the 海軍省 (Kaigun-shō – Ministry of the Navy) in the 日比谷公園 (Hibiya-kōen – Hibiya Park). Kaigun-chūjō Tochinai Sojirō was unharmed thanks to the courageous intervention of several young officers. The six hooded Pictures who carried out the attack were shot during their operation. But the question remains, how safe is it in Kasumigaseki (author's note: in principle the government district -> https://www.mlit.go.jp/english/2006/p_g ... story.html) if even the highest officers cannot be safe in their lives?


It is speculated that this attack is connected to a statement by the Honorable Kaigun-chūjō Tochinai Sojirō, according to which he wants to have the battleships of the Imperial Japanese Navy scrapped.


As it was also announced today, there is said to have been a fierce dispute and exchange of blows on the weekend before the 大本営 (Daihon'ei). The naval command has tried to keep this secret. With the assassination attempt this morning in public in front of dozens of witnesses, this was no longer possible. In a short statement, Navy Minister Katō Tomosaburō spoke appeaseingly of disagreements about the future use of Japanese shipyard capacities.


Behind closed doors, however, several members of the press, including the present editors of the Tōkyō Shinbun, were informed that there was an ugly dispute about the very much reduced budget for the Navy. It is completely natural that things cannot go on as before after the end of the war. After all, military spending had reached unhealthy levels that could no longer be explained to the civilian population after the peace agreement.


Kaigun-chūjō Tochinai Sojirō is said to have been annoyed that even the young 帝国海軍航空隊 (Teikoku Kaigun Kōkūtai - Imperial Japanese Naval Air Force) had been massively curtailed. The Kaigun-chūjō sees the future in these parts of the navy and does not agree with the ordered scrapping of the airships. On the contrary, it would massively restrict maritime reconnaissance, which would become increasingly important in the future. In the opinion of the Kaigun-chūjō, the disastrous deployment of the naval aviators so far – there is no other way to describe it – would not get any better if they were not granted the necessary warning time through long-distance sea reconnaissance. This requires all parts of the 帝国海軍航空隊 (Teikoku Kaigun Kōkūtai - Imperial Japanese Naval Air Force).


During the conversation in front of the 大本営 (Daihon'ei), an unnamed officer is said to have exclaimed that the honorable Kaigun-chūjō Tochinai Sojirō would be harnessed to one of the newly wrapped 18" guns. Then he could personally convince himself of the alleged uselessness of battleships.


These events so soon after the victory over the Grande Nation do not cast a good light on the recently achieved partnership within the Japanese military. The coming weeks and months should be exciting to see which faction prevails within the Navy. The fact that the dreaded Kempeitai have already been put on a short leash speaks volumes. The appearance of the Kempeitai during the last months of the war was too brutal.


The entire Japanese military is in the process of gambling away its reputation among the population when it carries out its disputes with public assassinations and incites its military police against the population.




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Editorial Board of the Tōkyō Shinbun – Friday, March 3, 1922


Osaki Satoshi already knew the feeling from before. A feeling of emptiness, a feeling of uselessness. A feeling of falling into an infinitely deep and black hole – with no return!


It wasn't just because of the deserted editorial offices. Every time a war ended, he asked himself what to do next? The first days after the peace agreement had been extremely exciting, but the dispute within the military was now also carried out behind closed doors and the press learned nothing. Only time would tell who should gain the upper hand.


Most of his subordinates had received special leave and he knew that very many would not return from this vacation. The publishing house management used the absence of the employees to sort out who had to leave and who was allowed to stay. Osaki Satoshi had no say in this, he understood that immediately.


He thought about how it had been after the previous war and wanted to try to enforce this as a minimum.




After war is before the war, that much was clear – that's how he would argue to the publishing house management!




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#159 RTW2-JAP#
Bigfish2012
Posts: 166
Joined: Sun Jul 28, 2024 5:37 pm

Re: 戦争クロニクル帝国日本 – Sensō kuronikuru teikoku Nihon

Post by Bigfish2012 »

#010 Quo vadis Rengō Kantai?




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Editorial Board of the Tōkyō Shinbun – Monday, March 6, 1922




Osaki Satoshi experienced his biggest disaster so far. He was allowed to stay and continue to devote himself to the war chronicles of Imperial Japan. However, only he was allowed to stay. The rest of his editorial team was either dismissed or transferred to other editorial offices. He had to give up his spacious office and destroy most of his filing. There was no more room for that in the publishing house. Out of necessity, he stored everything at his home that was detrimental to the peace of the family.


In the small "broom closet" that he still had at his disposal, he tried to make the best of the situation. He had a small shelf wall in which he only stored the latest information according to a new scheme. He began by mapping the status quo of the current fleet. He found out that Kaigun-chūjō Tochinai Sojirō was already right. The current new hives alone showed that naval aviation was not accorded any importance.



If the 帝国海軍航空隊 (Teikoku Kaigun Kōkūtai - Imperial Japanese Naval Air Force) really become what Tochinai Sojirō suspected, it would be far too little budget!



However, it had to be admitted that at least the airfields on land were expanded or built at all. However, this did not help the fleet at sea.




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At least editor-in-chief Fukuzawa Saburo didn't expect Satoshi to contribute even one article. He said that the population had had enough of the war and did not want to hear about thicker armor plates and new medals for old officers.


So it was hardly noticeable that Osaki Satoshi spent only a little time in the publishing house and built a large "shed" next to his home on his own together with his sons and several former editorial colleagues. His wife was worried that he was now bringing his editorial office directly home, but was also happy to get the rooms of the apartment building free again. March 1922 had passed quickly...




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Editorship of the Tōkyō Shinbun – Thursday, October 12, 1922


Not only the next few weeks, but the next few months flew by like the wind. But this was also due to the fact that simply nothing of importance for the naval war happened. There were individual political skirmishes, but that was about it. It was only in October that Osaki Satoshi was able to attend the delivery of the first real aircraft carrier designed and built as such. However, he could have saved himself the trouble with the camera, the photo of the new ship, christened "Zuiho", was not printed. A three-liner on an inconsequential back page, the report was not worth more to the publisher.




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Editorial office of the Tōkyō Shinbun – Monday, December 18, 1922


The rest of the year was just as uneventful as the months before. Towards the end of the year, Osaki Satoshi was allowed to add at least a small side dish to the Tōkyō Shinbun. The overview of the fleet strengths of this world, however, made little work for him. Apart from the bare Pictures, the available space left no room for further information.




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Editorial Board of the Tōkyō Shinbun – Tuesday, February 8, 1923


The turn of the year was also quieter than ever before and Osaki Satoshi took the opportunity to go to Formosa with his family. In the last war, this island played an important role and he wanted to take a closer look at this piece of Japan. It was clear to him that future conflicts would hardly be fought over Japan itself. In the meantime, the Japanese Empire had maneuvered itself into a comfortable situation, as there were hardly any serious enemy bases near the Japanese islands.




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#160 RTW2-JAP#
Bigfish2012
Posts: 166
Joined: Sun Jul 28, 2024 5:37 pm

Re: 戦争クロニクル帝国日本 – Sensō kuronikuru teikoku Nihon

Post by Bigfish2012 »

#010 Quo vadis Rengō Kantai?




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Editorial Board of the Tōkyō Shinbun – Thursday, May 17, 1923




The last war had already been over for more than a year, and although it had ended with a bang – the assassination attempt of Kaigun-chūjō Tochinai Sojirō – it had been quiet ever since.


Osaki Satoshi was burning with curiosity about who could assert himself in the navy, but nothing leaked out, nothing at all! It was certainly also due to the fact that he had hardly any personnel, resources and sources of information left, but there was also absolute silence on the part of the navy.


Actually, there was an indicator for the winning faction, but even this indicator was literally dead – the shipyards!


Apart from a few submarines and another ship of the Fuso class, which had been forced on the Navy from above, there was not a single new building. Not a single existing ship has been docked for major modernizations. On the slipways there were only ships that had been commissioned before or during the war. In addition, there was practically no construction progress to be observed for many of these ships. One of the Fuso-class battleships and the battlecruiser Ikoma existed in principle only on paper. Although large steel parts and steel plates were lying around everywhere in the shipyards, nothing happened. Of these 70,000 tons and 45,000 tons of new buildings, there was not even anything that could remind you of a keel in a dream.



What was going on in the navy?



Could it be that no faction was able to prevail and therefore neither new buildings nor conversions were carried out? That the large battleships were not demolished, but also not further built? But new aircraft carriers were not added either?


Osaki Satoshi didn't know how to assess that? He also didn't know how to find out what was going on in the big red brick building he hadn't been to for a long time?




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Editorial office of the Tōkyō Shinbun – Wednesday, August 22, 1923


Summer was almost over and autumn was just around the corner. Osaki Satoshi was visibly depressed and frustrated. He was already thinking about quitting, even his own newspaper was haunting his head, but he had neither the knowledge nor the financial means to do so. He resigned himself to his fate and concentrated more and more on his new passion of painting. He stood with his easel in the hills of his homeland and painted landscapes. He found that this was an outstanding activity to distract himself.




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Editors of the Tōkyō Shinbun – Saturday, September 1, 1923


It was Saturday! No reason for a Japanese not to work. Especially as an editor of a daily newspaper, you actually always worked. Day and night from Monday to next Monday. Osaki Satoshi did the same, at least in the past. He had had an unusually large amount of free time for a year and a half. In his hometown, there were already whispers about the lazy good-for-nothing. What could he do about it? His editor-in-chief had sidelined him and editor-in-chief Fukuzawa Saburo seemed to be right. There was simply no interesting news. Neither as far as the Imperial Japanese Navy was concerned, nor from abroad. Japan's relations with the other nations were good – all of them. Only the United States of America was slightly annoyed, but even that had not been worth mentioning for months.


The world seemed to have understood that it could be unhealthy to be on bad terms with Japan. Political tensions did not escalate as quickly as they used to. Even tangible espionage does not lead to threatening gestures and cannon thunder at the moment.


Osaki Satoshi did not work today. He was at home, standing in front of his house with his easel and painting a tree – a tree that he had probably painted a dozen times before.



Then put on the easel!



Satoshi was confused — he hadn't started the easel, not in the slightest. He bent down to raise the frame again. His legs felt kind of spongy, then he turned around. He tried to get up, but he couldn't.


Only now did he feel the tremors with full force. Getting up was out of the question. Everything wobbled, everything vibrated, everything shook. Objects jumped back and forth before his eyes, he heard glass shattering and saw the windows of his house shatter, then there was silence!


He didn't know how long it had taken, but it was intense. It was the most violent earthquake he had ever experienced. He had already experienced many quakes, that was nothing special in Japan. This time, however, he instinctively felt that it was different than usual. He ran to his command room, where chaos reigned – nothing was in his place, not even his camera.


After all, the camera seemed to have fallen softly, as it was lying on a mountain of paper. He grabbed the bag, then ran into the house. His wife was fine, but chaos reigned here too. After all, the house was still standing. However, lunch was spread over the floor. His wife was just about to start cooking, but the quake struck just moments before she was about to light the fireplace.


Osaki Satoshi no longer had an automobile at his disposal, so he looked for his bike. Found it and made his way towards Yokohama.


Up here in the 多摩丘陵 (Tama-kyūryū), he quickly had an unobstructed view of the Kantō Plain.


At first he said that it probably wasn't that bad, then it rumbled from the direction of the Honjo district. A great flame rose into the sky and danced around. Honjo? The military depot!


It didn't take long and more and more flames could be seen. No wonder! It was lunchtime. The food was prepared, practically all over Tōkyō and Yokohama the fireplaces burned in the houses. In Sagami Bay, he saw some ships making strange movements, then he recognized the tsunami hurtling towards land.


He heard explosions without end, he saw the water and the wind became stronger and stronger. The approaching typhoon had been felt all morning...


He looked around, turned his head back and forth. Only then did he think about his camera and start taking Pictures.




Shots of the completely destroyed Yokohama and the burning Tōkyō in the background.





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Picture 150: Damage in the Tokyo districts of Nihonbashi and Kanda
Source: https://commons.wikimedia.org/wiki/File ... hquake.jpg
Author: Osaka Mainichi newspaper
Info: https://en.wikipedia.org/wiki/Great_Kan ... Earthquake






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Picture 151: Sources of fire and burned areas in the city of Tokyo
Source: https://commons.wikimedia.org/wiki/File ... _Tokyo.PNG
Author: Unknown author / Japanese book(English version) "THE RECONSTRUCTION OF TOKYO" published by Tokyo City.
日本語: 東京市「THE RECONSTRUCTION OF TOKYO」(英語版)より。
Info: https://en.wikipedia.org/wiki/Great_Kan ... Earthquake






https://www.youtube.com/watch?v=fY4QoFGpxhQ




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Roads, paths, bridges into the city were destroyed. Progress is practically impossible. Fortunately, the damage was quite minor here in his place. His house was still fixed and his family had gotten off quite lightly. Since he could not get to the publishing house, he cleaned up. He helped his wife, then his neighbors. There weren't too many because of the rather sparse buildings, but the day passed. However, it was not a dark night, because the burning Tōkyō illuminated the horizon to the northeast across the entire width. In addition, there were a number of aftershocks, some of them strong. There would be no rest that night.




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Editors of the Tōkyō Shinbun – Friday, September 7, 1923


In the days since the great Kantō earthquake, Osaki Satoshi had repeatedly gone to the destroyed and burning city with his camera. But it was hardly possible to actually reach a destination. It was not until September 7 that he managed to get as far as the Tōkyō Shinbun publishing house. The building was largely destroyed – at least practically everything above the basement. The printing presses in the cellar might still be intact, but that could not be determined with the best will in the world. But one thing was clear:



Many colleagues were dead!



Who all could be known, no one could know. That would only be clarified in the next few days and weeks. But he had learned one thing: editor-in-chief Fukuzawa Saburo was lying in one of the makeshift hospitals. Maisutā Murata had made it out of the building. He couldn't really help because of his frailty, but he had watched Fukuzawa Saburo be rescued with crushed legs and taken away.


Now old Maisutā Murata stood beside Osaki Satoshi with tears streaming down his face, repeating the words over and over again: "My life – my printing presses – my life!"
Osaki Satoshi put his hand on his shoulder:




"We'll rebuild that, and you'll be the one to get the presses going again!"





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Editorial office of the Tōkyō Shinbun – Thursday, November 15, 1923


Editor-in-chief Osaki Satoshi stood in front of the publishing house and observed the clean-up work and the construction activity. It was already clear that the reconstruction of the capital would take years, if not decades. The emperor had issued an edict for reconstruction, and the Tōkyō Shinbun publishing house was one of a small number of buildings that would be rebuilt on the spot.


Tōkyō will be a different one than before. The image of the city would change fundamentally! The Emperor himself had declared that such a catastrophe must never be repeated. From then on, Tōkyō had to look completely different for this. And the Tōkyō Shinbun was lucky or unlucky not to be affected.


Gradually Osaki Satoshi understood that it must have been a divine providence that he had not been at the publishing house that day. He would probably be dead now if he had been in the publishing house. But as it was, Fukuzawa Saburo had unconsciously ensured that Osaki Satoshi was alive with his dislike of Osaki Satoshi's editors. What's more, his entire archive would probably have been destroyed if he hadn't had to move it to his private home. So almost everything was still there. It had to be truly a divine providence how everything had come about...



Editor-in-Chief



Osaki Satoshi also had to get used to this title. The editor of the Tōkyō Shinbun did not suffer any losses, but his youngest son Fukuzawa Saburo was henceforth in a wheelchair and was no longer able to fill these posts. Many others who would have been eligible for this before the quake were also dead or seriously injured. As the editor of a newspaper, however, the man also had a good memory. He knew only too well that his former editor-in-chief Kamata Itachi had warmly recommended the young Osaki Satoshi to succeed him before his retirement.


At that time, of course, he had decided otherwise, but now he had no other choice and had visited Osaki Satoshi at the beginning of the week and offered him the post.
Refusal was impossible, and Osaki Satoshi was now editor-in-chief of the Tōkyō Shinbun. In the past, he had imagined what he would do in this position, but today his main activity was to ensure the reconstruction of the publishing house. And he was successful! The basement of the building had actually been only slightly damaged. The printing presses required some care, but were basically able to do their job. Maisutā Murata was already devotedly taking care of his treasure and the first emergency edition of the Tōkyō Shinbun in a small edition was planned for Monday.


At the same time, he needed new staff. From then on, he had his own car as editor-in-chief, but it was of little use in the capital. Hardly any road could be used sensibly. The bicycle was the means of transport of choice and Osaki Satoshi rattled off all the addresses of his former employees that he had in mind. Here, too, there were deaths and injuries. Some had left Tōkyō or had long since taken up a new profession, but at least he had a small number of editors together.


Their work included, of course, the great Kantō earthquake and everything that followed, but at least he assigned an editor to research and write about the consequences of the quake on the Imperial Japanese Navy!




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Editorial Board of the Tōkyō Shinbun – Monday, December 3, 1923


It would take months before the Tōkyō Shinbun would reach something like normality, but by the end of the year they were on the right track.


It was ironic that even editor-in-chief Osaki Satoshi could hardly give the Navy any space in the emergency editions, but it was only natural that the population had other concerns at the time. At least those who were still alive.


Military and war were the last words people wanted to read!




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#161 RTW2-JAP#
Bigfish2012
Posts: 166
Joined: Sun Jul 28, 2024 5:37 pm

Re: 戦争クロニクル帝国日本 – Sensō kuronikuru teikoku Nihon

Post by Bigfish2012 »

#010 Quo vadis Rengō Kantai?




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Editorship of the Tōkyō Shinbun – Thursday, March 27, 1924


As much free time as Osaki Satoshi had had in 1922 and 1923, he now had little in his new position as editor-in-chief. In Tōkyō there was still chaos, but at least an orderly chaos.


The Tōkyō Shinbun continued to appear in an emergency edition about once or twice a week, sometimes three times a week. The reports were limited to the reconstruction of the capital and the most important reports from abroad. Little came from the navy, but that was hardly surprising. Research was done, that was it for the moment. The Navy could be happy that it still had all ongoing construction projects on the agenda, but otherwise large parts of the 小野浜造船所 (Onohama Zōsenjo) (Kure Naval Shipyard) had to be rebuilt first. Most supplier companies had also been hit hard.


So editor-in-chief Osaki Satoshi was happy that he could devote his time fully to the entire publishing house and that the navy actually didn't stop him much.


Now, at the end of March 1924, he finally had some time to himself and rummaged through an older issue of Les Temps on the events of late January and early February in France.



Even though the war against the Grand Nation had already taken place two years ago, the actions of the Imperial Japanese Navy had now claimed the last victims!





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#162 RTW2-JAP#
Bigfish2012
Posts: 166
Joined: Sun Jul 28, 2024 5:37 pm

Re: 戦争クロニクル帝国日本 – Sensō kuronikuru teikoku Nihon

Post by Bigfish2012 »

#010 Quo vadis Rengō Kantai?




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Editorial Board of the Tōkyō Shinbun – Tuesday, June 17, 1924


Towards the middle of the year, the situation had eased slightly. The previous traditional construction method of Japan had at least the macabre advantage that in many districts there was only a few pieces of rubble that were really difficult to remove. The new cityscape showed its first facial features with new, magnificent streets that were wider than anything known. Never again should a fire be able to burn down an entire district from one place. The streets were laid out so generously that it was almost impossible for the flames to spread.


Tōkyō would truly be a different person!


Whereas he had previously been able to use the DAT 41 of his predecessor, which had some scratches from falling bricks, Osaki Satoshi now had a brand new Otomo from Hakuyosha Ironworks at his disposal. On the new wide main streets of Tōkyō it was a pure pleasure to be on the road with it. Satoshi was now able to do his work faster, especially since he kept switching between the publishing house and his branch office at his home so as not to leave the employees working there completely unsupervised.




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Picture 152: Hakuyosha Ironworks Otomo
Source: https://commons.wikimedia.org/wiki/File ... C07346.JPG
Author: https://commons.wikimedia.org/wiki/User:Daderot
Info: https://en.wikipedia.org/wiki/Otomo_(automobile)






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Ministry of Navy of the Imperial Japanese Navy – Monday, September 1, 1924


Navy Minister Takarabe Takeshi had invited the Japanese press to the Navy Ministry on the anniversary of the great Kantō earthquake. Kaigun-taishō Takarabe Takeshi was no stranger to the ministry, even though he had only held the office of Minister of the Navy since June 11. He had already been Minister of the Navy from May 1923 to January 1924 and had previously been Deputy Minister of the Navy under Katō Tomosaburō.


Kaigun-taishō Takarabe Takeshi had a long career in the Imperial Japanese Navy, where he was also acting head of the design department for many years. He was also the son-in-law of former Minister of the Navy Yamamoto Gonnohyōe.


Navy Minister Takarabe Takeshi's life thus consisted almost exclusively of the Imperial Japanese Navy.


Osaki Satoshi was almost bursting with curiosity as to what the minister would have to announce? It had been a long time since he had last entered the Ministry of the Navy. He had his two older twins Okada and Giichi with him, who now regularly helped out in the editorial office. Actually, both were supposed to be doing military service at the moment, but quite a few young men were released to help rebuild Tōkyō. But it was only a matter of time before the two had to do their military service.


The Ministry of the Navy had suffered only minor damage and was one of the first buildings to be repaired. Now the representatives of the Japanese press were in a large hall and Minister of the Navy Takarabe Takeshi began his speech.


He said that the Japanese nation had suffered a difficult year, but now it was time to look forward. The construction of the capital was progressing and it was time to question self-employment. Too many incidents have been ignored, such as the French espionage and the affront during the Prime Minister's trip to Europe, and finally the United States of America and the British Empire have recently been on a confrontational course towards the Japanese Empire.


He went into great detail about all that Japan had achieved in the last twenty-five years and that it would be necessary to defend what had been created in the future.


Then four cadets pushed several display boards into the room and pulled down the linen sheets:




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Minister of the Navy Takarabe Takeshi explained that the Navy intends to build new battleships and heavy cruisers and praised the presented designs as the current ultimate in shipbuilding.


After that, the minister allowed questions, but Osaki Satoshi ran away. If the others are to pepper the minister with questions – then the Tōkyō Shinbun will be the first newspaper to have its extra paper on the street. The headline was clear:



"One year after the disaster, the Imperial Japanese Navy awards a major contract – Japan is arming!"



Osaki Satoshi knew all too well what this was going to lead to...





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Picture 153: Takarabe Takeshi
Source: https://commons.wikimedia.org/wiki/File ... karabe.jpg
Author: Unknown author / http://www2b.biglobe.ne.jp/~yorozu/SAVE0139.jpg
Info: https://en.wikipedia.org/wiki/Takarabe_Takeshi






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Editors of the Tōkyō Shinbun – Friday, December 12, 1924


The rest of the year continued to be quiet, although it became apparent that the streets were more lively overall. The announcements of Navy Minister Takarabe Takeshi were followed by action and at the end of the year two heavy cruisers of the new Maya class and two battleships of the new Yamashiro class were ordered.


The most striking thing was that for the first time the designs did not follow the principle of bigger-bigger, but the two battleships were even about 12,000 tons smaller than their predecessors of the Fuso class. The two heavy cruisers were about the same size as the previous Chokai class with 1,000 tons more.


The special feature of both ship classes, however, was probably that for the first time on-board aircraft were part of the equipment. Nevertheless, both classes were significantly cheaper in construction than their predecessors and Osaki Satoshi interpreted this as a sign that the navy had to save money and the representatives of the capital ship faction could no longer do what they wanted unchallenged.





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